Auntie S Darling Part 6: The End of an Era

Patrick Dennis, orphaned in 1928 when his father Edwin dies unexpectedly, is placed in the care of his aunt Mame Dennis in Manhattan. Mame is flamboyant and exuberant, hosting frequent parties with a variety of guests and free-spirited friends including the frequently-drunk actress Vera Charles; Acacius Page, who runs a nudist school; and Lindsay Woolsey, a book publisher. Mame quickly becomes fond of Patrick, and aims to give him as broad a view of life as possible. Patrick's inheritance is managed by Dwight Babcock, a trustee of the highly-conservative Knickerbocker Bank, who was instructed by Edwin to restrain Mame's influence. Without Babcock's knowledge, Mame enrolls Patrick in Page's school. When this is discovered, Babcock forcibly enrolls Patrick into his alma mater, preventing Mame from seeing her nephew except during holidays and during the summer.

Auntie S Darling Part 6

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Patrick announces to Mame that he is engaged to Gloria Upson, a girl approved by Babcock from a "restricted" community in Connecticut called Mountebank. Mame is initially angered by the change in his character, but relents to please him. She also sabotages O'Bannion's attempted wooing by sending Agnes to a party in her place, lying to O'Bannion that Agnes is a secret heiress. When Agnes returns, she barely remembers the evening, thinking they saw a movie with a wedding scene. After Mame meets Gloria, who proves to be spoiled and prejudiced, she visits Gloria's parents in Mountebank at their house, "Upson Downs", some time later. Finding them to be boorish and anti-Semitic, she invites them and Gloria to a dinner party at her apartment with Patrick, Babcock, and some of her friends.

On the night of the party, Patrick meets Mame's new secretary Pegeen, and the two are attracted to each other; Agnes also lives there, now pregnant due to her night with O'Bannion and presumed to be unmarried. The entire party is choreographed to show up the Upsons: Lindsay surprises the attendees with galleys from Mame's autobiography, reminding Patrick of forgotten adventures. The book's release prompts a telegram from O'Bannion demanding half the royalties for his efforts, also revealing that he married Agnes on their night out. When Gloria insults Mame's company, Patrick instead defends them and insults Gloria's own circle, ending their relationship. Mame dedicates her royalties to a home for refugee Jewish children in Mountebank, much to the Upsons' horror. The Upsons leave in a huff, and Mame berates Babcock's attempts to manipulate Patrick's life before he also leaves. By 1946, Patrick and Pegeen are married and have a son Michael. Mame and Michael persuade his parents to let Mame take the child on a journey to India, and the movie fades as Mame tells Michael of all the wondrous sights they will see.

Morton Da Costa directed the stage adaptation, which ran from October 1956 through June 1958, for 639 performances. Rosalind Russell originated the role of Mame and was nominated for the 1957 Tony award for Best Performance by a Leading Actress in a Play. She played Mame until January 20, 1958, when Greer Garson took over the part.[4] Russell, Peggy Cass, Yuki Shimoda and Jan Handzlik reprised their Broadway roles in the film.

The costume design for the film, which include outfits for Mame that coordinate with the sets, was provided by Orry-Kelly, who had worked with Rosalind Russell on a number of films.[6] The New York Times critic Bosley Crowther observed: "The lavish décor of Mame's apartment is changed almost as frequently as are her flashy costumes, and all of them are dazzling, in color and on the modified wide-screen."[2]

Bosley Crowther of The New York Times wrote that "for all its absurd exaggerations and bland inconsistencies, this picture of a tireless party-giver is a highly entertaining thing to see. And, because of the gags that gush from it, it is a constantly amusing thing to hear.[2] Variety called the film "a faithfully funny recording of the hit play, changed only in some small details to conform to motion picture mores ... Rosalind Russell recreates the title role for the film and re-establishes herself as a top picture personality."[13] Harrison's Reports called the film "a fast and furious comedy, with a glamorous background and considerable deep human appeal ... Rosalind Russell, who scored a huge success in the stage play, repeats her wonderful performance as the uninhibited heroine in this screen version. She fits the role so ideally that it is difficult to imagine any one else in the part."[14]

"One by one, her brothers and sister died; and her mother, with the exception of her neglected daughter, was left childless. The conscience of the woman was troubled; she began to think that the deaths of her favourites was a judgement from heaven to chastise her partiality. She was a Roman Catholic; and I believe her confessor confirmed the idea which she had conceived. Accordingly, a few months after your departure for Ingolstadt, Justine was called home by her repentant mother. Poor girl! She wept when she quitted our house; she was much altered since the death of my aunt; grief had given softness and a winning mildness to her manners, which had before been remarkable for vivacity. Nor was her residence at her mother's house of a nature to restore her gaiety. The poor woman was very vacillating in her repentance. She sometimes begged Justine to forgive her unkindness, but much oftener accused her of having caused the deaths of her brothers and sister. Perpetual fretting at length threw Madame Moritz into a decline, which at first increased her irritability, but she is now at peace for ever. She died on the first approach of cold weather, at the beginning of this last winter. Justine has just returned to us; and I assure you I love her tenderly. She is very clever and gentle, and extremely pretty; as I mentioned before, her mien and her expression continually remind me of my dear aunt.

"I must say also a few words to you, my dear cousin, of little darling William. I wish you could see him; he is very tall of his age, with sweet laughing blue eyes, dark eyelashes, and curling hair. When he smiles, two little dimples appear on each cheek, which are rosy with health. He has already had one or two little wives, but Louisa Biron is his favourite, a pretty little girl of five years of age.

"Now, dear Victor, I dare say you wish to be indulged in a little gossip concerning the good people of Geneva. The pretty Miss Mansfield has already received the congratulatory visits on her approaching marriage with a young Englishman, John Melbourne, Esq. Her ugly sister, Manon, married M. Duvillard, the rich banker, last autumn. Your favourite schoolfellow, Louis Manoir, has suffered several misfortunes since the departure of Clerval from Geneva. But he has already recovered his spirits, and is reported to be on the point of marrying a lively pretty Frenchwoman, Madame Tavernier. She is a widow, and much older than Manoir; but she is very much admired, and a favourite with everybody.

One of my first duties on my recovery was to introduce Clerval to the several professors of the university. In doing this, I underwent a kind of rough usage, ill befitting the wounds that my mind had sustained. Ever since the fatal night, the end of my labours, and the beginning of my misfortunes, I had conceived a violent antipathy even to the name of natural philosophy. When I was otherwise quite restored to health, the sight of a chemical instrument would renew all the agony of my nervous symptoms. Henry saw this, and had removed all my apparatus from my view. He had also changed my apartment; for he perceived that I had acquired a dislike for the room which had previously been my laboratory. But these cares of Clerval were made of no avail when I visited the professors. M. Waldman inflicted torture when he praised, with kindness and warmth, the astonishing progress I had made in the sciences. He soon perceived that I disliked the subject; but not guessing the real cause, he attributed my feelings to modesty, and changed the subject from my improvement, to the science itself, with a desire, as I evidently saw, of drawing me out. What could I do? He meant to please, and he tormented me. I felt as if he had placed carefully, one by one, in my view those instruments which were to be afterwards used in putting me to a slow and cruel death. I writhed under his words, yet dared not exhibit the pain I felt. Clerval, whose eyes and feelings were always quick in discerning the sensations of others, declined the subject, alleging, in excuse, his total ignorance; and the conversation took a more general turn. I thanked my friend from my heart, but I did not speak. I saw plainly that he was surprised, but he never attempted to draw my secret from me; and although I loved him with a mixture of affection and reverence that knew no bounds, yet I could never persuade myself to confide in him that event which was so often present to my recollection, but which I feared the detail to another would only impress more deeply.

The month of May had already commenced, and I expected the letter daily which was to fix the date of my departure, when Henry proposed a pedestrian tour in the environs of Ingolstadt, that I might bid a personal farewell to the country I had so long inhabited. I acceded with pleasure to this proposition: I was fond of exercise, and Clerval had always been my favourite companion in the ramble of this nature that I had taken among the scenes of my native country.

When people ask me what is my favourite film for interiors, I always say Aunty Mame and it has to be the Rosalind Russell version. I absolutely love every fit out of her apartover the years and would easily take ownership of any and every piece of furniture, accessories and the fixtures. Just simply devine and timeless.

Hilda is a sweet, kind, and maternal witch, more empathic to the clients of the Spellman Mortuary than Zelda, and definitely the more benevolent of the two sisters. She is also much more affectionate and understanding towards Sabrina than Zelda. She often peppers her daily conversation with others with sweet and affectionate nicknames, such as "love", or "darling", or "lamb" as just a few examples. 2ff7e9595c